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9th Wonders Boards > Talk About Heroes > Heroes, Cast, and Crew in the Media > Masi Oka
HERΟ
The article seems like some notes from a teleconference, but the futoncritic didn't give any details about this interview (although, I suppose the author could have conducted a one-on-one interview with Masi). Anyway, you can read this rendition below (and, if this is from some teleconference where there are other accounts, I'll see if I can find 'em, or y'all can post 'em below, too, if ya want):
QUOTE
"HEROES" STAR MASI OKA ON GOING FROM VILLAINS TO FUGITIVES
By Jim Halterman

--------------------------------------------------------------------------------

NBC's "HEROES" has taken its share of lumps since its heralded first season with fans vocal about their unhappiness with storylines, a ratings decline and the WGA strike. As the series prepares to launch the latest cycle of episodes, entitled "Fugitives," Masi Oka, who plays Hiro Nakamura, talked about the new episodes, the return of Bryan Fuller and why fame is something he'll never get used to.

Oka had no qualms in talking about the ups and downs the sci-fi series has taken since its debut in 2006 and what the plan is with the new crop of episodes. "We're going to go back to the fundamentals of what made the show really great and what kept it grounded, which is going back to central character and trying to tell smaller stories but with big action. More character-based and more centralized on specific characters as we see them finally come together towards the end in trying to save themselves."

Speaking of creator Tim Kring's plans for the coming new episodes, Oka shared that he does feel there is some patience involved with the way the show's stories are told. "Tim always has a great map to where we go but at the same time there's a collaboration that happens that allows us to go from interesting places and allows us to discover and we hope that the audience and the fans will go on that discovery and journey with us and knowing that there'll be a good payoff. I think with all our volumes, in particular, we sometimes have slow starts but we always pick it up into high gear towards the end. I think because a show like this takes such risks and makes bold choices it takes a little bit of time for the audience and the critics to get accustomed to this kind of new journey that we're going to take and once everyone is on board we hit the ground running."

In the "Fugitives" volume, fan favorite Hiro has to adjust to life without his ability to travel through time. "I find that actually interesting to play, a powerless character," Oka said, "because you kind of get the joy of rediscovering that power and what it means to be a hero without powers. How does someone who had that power and someone who's powerless... it's an interesting character/mind thing. You kind of fall from grace in many ways [and ]it's a balance of adjusting to that and how to live that and how you live your life and how you can still be a hero by helping others."

The dynamic between Hiro and his faithful sidekick Ando (James Kyson Lee) is also turned upside down when it's Ando who has the powers and Hiro is a normal human. "In the beginning, Hiro is powerless and Ando has a kind of super-charger powers so Hiro is trying to nudge him on. In many ways, he realizes now he's had his turn so he needs to see what he can do... [Hiro] takes on pretty much the role of the butler. He becomes Alfred (laughs)... he tries to make a Batman out of Ando but Ando's reluctant and he only cares about girls right now so Hiro tries to make him use the power for good to save other people and, of course, Hiro ends up getting in trouble and Ando ends up helping him."

There's been much action behind the scenes at "HEROES," as well, with the ousting this past November of longtime Executive Producers Jesse Alexander and Jeph Loeb. Asked if he (and the other actors) were aware of what was going on at the time, Oka admitted, "We weren't aware at all. We had no idea. In many ways what happens in the writers room stays in the writers room. For us, we have a lot of respect for that process and it's not our place to say anything. So it was actually really a shock for us to find out that was happening."

Despite the feelings of regret for Alexander and Loeb's leaving, Oka is thrilled that Bryan Fuller has returned to "HEROES," where he worked during the show's first season before venturing off to create the recently cancelled "Pushing Daisies." There are definite advantages to having Fuller back on the show, Oka explained. "[Bryan] knows what the topics were and he knows what made it great and having stepped out of it for a season and a half he had a different view on how the show was, how the show became... having him come back he was so excited and said 'Lets go back to this.' He came back the day after he found out 'Pushing Daisies wasn't coming back and he was so gung ho about this show and came back with all these ideas, so excited... Bryan coming in I think gave an uplifting momentum and energy and a big morale boost to everybody... there's a great synergy in the room right now."

In bringing some real human tragedy to the show, Hiro's mother recently appeared on the show and later had to deal with her death. Oka talked about how filming those scenes were difficult because of some ironic parallels in his own life. "It was quite difficult because at that time it kind of overlapped with my own mother who has been battling breast cancer. It kind of was difficult to kind of separate that at times but, at the same time, I hate to use the word easy but because I was living it in many ways that I kind of just transferred it." Oka later said in the conversation that his mother was on her last round of chemotherapy and was doing great.

An acting challenge of a different kind came during the "Villains" chapter when Oka had to play his character in both the present and as a ten-year old. "Hiro himself is kind of a man-child," Oka explained. "It was a challenge to play a ten-year old so that it doesn't seem like it's forced but at the same time enough of a distinction between the present Hiro and the ten-year old Hiro. It was definitely fun because on-set it was definitely no holds barred because I got to play a kid. I kind of channeled Tom Hanks in 'Big' or Robin Williams and just go all out and it actually freed me up to improvise a lot physically and it was definitely a lot of fun."

While nothing could prepare Oka and his fellow cast members for the level of popularity when "HEROES" first premiered, is it just a normal thing in his life now? "I don't think you can ever get used to it," he said. "It's always daunting. It's very overwhelming because even halfway around the world someone in Singapore is watching our show and they are big fans. That's actually one the great things about our show. We've been able to connect with so many people that I wouldn't have been able to connect to... and I don't think you can ever get used to it."

The first chapter of the "Fugitives" volume, which was written by Kring and directed by Emmy-winning Greg Yaitanes, airs Monday night at 9:00/8:00c on NBC.
HERΟ
I figured that it was a conference call... The following is Deadbolt's take on it (and Masi's kinda humorous about the budget cuts...):
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Becoming a Super Hero Fugitive with Masi Oka of HEROES
by Troy Rogers

NBC's HEROES makes its third season return on Monday, February 2 as our favorite TV super heroes come back as "fugitives" in Volume Four: Chapter One called "A Clear and Present Danger". Much has happened after the explosive action at Pinehurst and Primatech as the heroes attempt to move on from the past, with Hiro caught in a mortal circumstance and needs to lean on Ando (James Kyson Lee) in a super capacity. After surviving the run of villains, the third season of HEROES opens the fourth chapter in which we'll see many of the heroes become fugitives.

With HEROES set to return to continue Season 3: Volume Four, we called upon our super human ability to throw our voices through the invisible phone lines to join a conference call with Hiro Nakamura actor Masi Oka to talk about losing his powers, how it would affect him if he actually had a power, why we haven't seen more of his own real life Kendo abilities, and the philosophy of being a super hero as he becomes more of a teacher when the season returns.

THE DEADBOLT: If you had Hiro’s power, how would it affect you if you suddenly lost it?

MASI OKA: I would be bummed, without a doubt. Hiro kind of takes it in stride and I think deep down inside he’s bummed. But he’s always an excerptor [sic] of destiny so he realizes that this is fate, this is destiny. He had his chance so he’s kind of going back. He’s okay with it, at least first. I don’t know, it would be kind of sad. Once you’re used to doing something, it’s difficult to adjust to life. But, at the same time, you know it’s how life goes and I guess you just have to adjust to it.

And in many ways that’s what’s happening with the world right now. Many people who were financially stable, because of the economic crisis, all of a sudden might find themselves without hope and stuff. And even with us, in many ways we’re very fortunate to be working right now - next year, two years, whatever from now - it’s possible that we’re completely yanked off and I won’t be having this press conference with anybody [laughs]. So it happens to us all of the time whether it’s power or not. So I think the important thing is just to chin-up and realize this is a new situation and now we must adjust.

THE DEADBOLT: Have you or the writers tried to incorporate more of your real life Kendo skills into Hiro?

OKA: You know, we’ve been trying to. We did a lot of that in season one. I’m not sure what the reason is for the decline in a lot of sword play. I’ve been trying to put it in there as much as I can. But unfortunately we faced a little bit of a budget cut last season and we couldn’t afford a sword and I had to fight with a French bread.

THE DEADBOLT: That’s not the same thing.

OKA: Not quite the same. A stale French bread just has nothing to it but hopefully there will be more. I haven’t been able to do it but I’m hoping that the writers definitely put more in there because it was definitely a lot of fun.

THE DEADBOLT: Now that Hiro is trying to teach Ando to become a true super hero, does that involve his Red Lightning? Or is it something else?

OKA: Well, I think being a hero in Hiro’s mind is a philosophy. It’s like sticking to the super hero bible of doing things to save the world, sacrificing yourself for others, and never using your power for your own personal gain. So I think it’s trying to teach him that philosophy whether it’s a super charging power, the Red Lightning, or helping other people. That’s part of it and I think that’s what Hiro is trying to ingrain in Ando, who’s been very helpful to Hiro. But he needs to get him more open to helping other people.

-- Troy Rogers
HERΟ
And another account from SciFi Wire:
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Masi Oka: How HEROES will try to win back the fans

[Image of] Masi Oka (left) as Hiro Nakamura and James Kyson Lee as Ando Masahashi in the midseason premiere, "A Clear and Present Danger."

Masi Oka, who plays the time-traveling hero Hiro Nakamura on NBC's Heroes, told reporters that the show has weathered its problems and will return to its roots with the upcoming volume entitled "Fugitives."

Oka spoke to journalists during a conference call yesterday. During the conversation, the actor addressed the show's problems and creator-producer Tim Kring's solutions, previewed the upcoming "Fugitives" arc and discussed the departure of writer-producers Jesse Alexander and Jeph Loeb and the return of writer-producer Bryan Fuller.

The first episode of the "Fugitives" volume, written by Kring and directed by Emmy winner Greg Yaitanes, premieres Monday at 9 p.m. ET/PT. Following are edited excerpts of the interview with Oka.


The last cycle of episodes, the "Villains" arc, got a bit of a critical beating, though most fans thought it was redeemed by the last couple of episodes. What can we expect with the new volume?

Oka: Pretty much, to be exact, we're going to go back to the fundamentals that made the show really great and what's kept it grounded, with it going back to the central characters and trying to tell smaller stories, but with big action. There's going to be more character-based [stories] as we see them finally come together towards the end to try to save themselves.

In general, do fans and critics need to be more patient with the show?

Oka: It would be great if you could. I mean, we can't ask for that, of course. The creative process is one ... that kind of builds, and Tim also has a great map to where we go, but at the same time there's a collaboration that happens that allows us to go from interesting places and allows us to discover. And we hope that the audience and the fans will go on this discovery and journey with us knowing that there will be a great payoff.

I think with all our volumes we've sometimes have slow starts, but we always pick it up at a high gear towards the end. And I think because a show like this takes such risks and makes bold choices, it takes a little bit of time for the audience and the critics to get accustomed to this kind of new kind of journey that we're starting to take. And once everyone is on board, we hit the ground running. So, you know, we do ask [for] maybe some patience from the fans and the audience. If we can ask for that, that'd be great.

Following up on that, did you personally feel the show had lost its way, or were people just being too hard on it because it came out of the box so big, so strong and so popular?

Oka: I don't know. It's so hard with the creative process, because we tell so many stories so fast, because Tim is all about getting answers quickly and satiating the audience's appetite for what happens next. You're on the edge of your seat. And season one was so perfect, ... and there's so much story that you can tell, ... it becomes difficult. To shake things up, you do need to make different choices, bold choices. So I don't think it's necessarily lost its way, it's just trying different paths, and sometimes it works and sometimes it doesn't work. And I think when we started volume three they found a different path, and they found a way to make it work.

Volume four, "Fugitives," is another completely [new arc]. We're going back to the grounded characters and the central characters, [and] people trying to live their ordinary lives being hunted now. And that's a completely different story than we've been trying to tell. So it might take a while to get us accustomed to the "usual heroes," but it still has the core ensemble drama. So I'm not sure if it's lost its way, it's just always different. Some people will respond to the way the story is told in the one volume and maybe not to another.

What will Hiro be up to in this new arc?

Oka: What's interesting about Hiro is he starts off powerless. I find it actually interesting to play a powerless character, because you kind of get the joy of rediscovering that power and what it means to be a hero without powers. So having someone who had had powers and going to someone who's powerless is an interesting character mindset. You kind of fall from grace in many ways. So it's about adjusting to that, and how do you live your life knowing that once you were a hero and that you can still be a hero by helping others ... and possibly trying to get the powers back?

Can you talk a little bit about the Hiro-Ando relationship and what we have to look forward to in that regard?

Oka: In the beginning, Hiro's powerless, and Ando has a kind of supercharger power, so Hiro is trying to nudge him on. In many ways he realizes, "OK, well, now he's had his turn, so he needs to kind of step up and see what he can do." And he takes on pretty much the role of the butler. He becomes Alfred in many ways. He's trying to make a Batman out of Ando, but Ando is reluctant, and he only cares about girls right now. So Hiro is trying to make him use those powers for good, to save other people. And of course, Hiro ends up getting in trouble, and Ando ends up helping him. But then, you know, then it's about them trying to work together and find new ways to get [Hiro's] power back.

What has been the impact of Bryan Fuller's return to the show?

Oka: You know what? First of all, my heart goes out to Jesse and Jeph. They were amazing writers, and I love them. They're my friends, and they're working on their own shows already. So I'm so glad that they're doing well. I think that's always a hard loss, one you actually don't have control over. But with Bryan coming back I think it's definitely a new dynamic, and it's such a great energy that he brings to the show. He's such an accomplished show runner, with great ideas, from Wonderfalls and Pushing Daisies. And he was on the show from season one, so he knows what the process was. He knows what made it great.

Then, having stepped out of it for a season and a half, I think he had such a subjective view on how the show was, what the show became, and how it kind of, in his mind, took a different path. And having him come back, being so excited, it's like, "Oh, this is what was great. Let's go back to this." He came back the day after he found out Pushing Daisies wasn't coming back. And he was just so gung-ho about the show. He came back with all these ideas, so excited.

And I think that really invigorated everyone, because the writers, ... we're all artists, and we are insecure in some senses. So when we hear the critics, the writers do take it to their heart. So with Bryan coming in, I think it gave them an uplifting momentum and energy, and I think it's such a big morale boost to everybody. There's a great synergy in the room right now. It's just a lot of excitement for new ideas.
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